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The family made that difficult decision some time last year, and Yap’s eldest son Kelly tells us that, “It was difficult, but what to do, it is the way it is.” We asked Kelly how long he had been working alongside his father Chin Fatt to run the shop; “A long time, I was dragged into the family business,” the 54-year-old says jokingly.But on a serious note Kelly says it was expected of him and his two younger siblings – a brother and sister – to help their parents manage and run in what he described as a “Pop and Mom business.” How did it all begin, we asked them.His salt and pepper mane, light and breezy dress style, expressive mannerism when he speaks and flamboyant personality reveal a person who does not conform to the norm.Instead, he prefers to challenge the ordinary and infuse it with daring and innovative ideas that will eventually develop into something new and appealing.At that time, customers included advertising agencies and artists who were after paint, canvas or sketch books.He had built the business from scratch, having to rent space a few doors down from their present location at no. And in the late 1990s, Chin Fatt decided to buy the current shoplot.
It is my hope that such an exchange will produce a burst of creativity and innovation that will illuminate our future." Born on 26 November, 1939 in Kampung Perlis, Bayan Lepas, Pulau Pinang, Dato’ Seri Abdullah received his early education at Sekolah Kebangsaan Pematang Bertam.He speaks to Elaine Lau about taking batik beyond a fashion item and how last year’s rebranding exercise has opened new avenues for this homegrown lifestyle brand to explore.One look at Faisol Abdullah and you know he has a creative streak in him.The father and son laughed when they were asked if they considered their homegrown company an institution after having been in business for almost five decades.“No way, we’re not an institution, for us it is business as usual,” says Yap Chin Fatt, founder of Venus Art.