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Or when they do buy and what they get turns out to be something other than what they thought it was or worse yet, what it was represented as-- that can be problematic as well.So being clear and direct about what you're selling and how it's priced is an important part of making the digital print selling process work.Of course, someone may tell them, but they may forget unless they know you personally.But something that people can actually see (a signature) is much more easier to remember.Even though the terms giclee, digital print, and inkjet print all mean the same thing and can be used interchangeably (and will be in this article), artists, publishers and galleries currently represent digital art in so many different ways that unless you know your terminology, printing processes and what questions to ask, figuring out what you're looking at can often be confusing.And when potential buyers get confused, especially if whatever they're looking at is priced more expensively than less, they tend not to buy. A painting, drawing, or sketch may be used as the starting point for the print, but the end result is something different.

In traditional art printing, the printing plate is created by an artist by hand, inked and printed by hand (whether using a printing press or burnishing by hand, it's still a manual process, not computerized).(2) Photographs that are taken with a camera and printed out directly from the original digital files or original negatives.These are generally referred to as original digital photographs.However if you take the view that the signature indicates provenance there's nothing wrong with signing all the panels on the reverse to make absolutely sure it's clear who created the work This is what Robert Genn had to say on the matter I believe in signing every unit.To avoid the goofy repetition look, understate the signatures or hide them in some obscure place, foliage, etc.

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